“SASHIMI” by Elena Goh
“Fish cannot feel pain.”
that’s what you told me {at least}
at the back of a cab
with your fly down and your fingers wet
so when the hook
spears
though their eyeballs
they feel nothing.
and anyway your Father loves to fish
and His Father
and His Father before that
Isn’t this country built on the labours of fishermen?
for sweeter meat
He taught you to
thrust
a metal rod into its spinal cord
a severed spine stops the struggling,
stops the lactic acid from entering the fat
and making it bitter
{again} he said,
Fish cannot feel pain.
for fresher flesh,
serve cold on
lemon, shiso, C-cup breast
Wait for the warmth to leave her skin first.
you want to avoid trembling,
or contamination,
non-food safe nipple sweat.
for the adventurous,
try the triangulated sake that pools,
silk white against black
In that crevice of
{utmost invitation}
your Father,
He says it tastes like the sea
that this is how Fishermen
become pirates, sailors, captains of the deck.
you were once given goldfish
as a gift
three small suns, swimming in absent-minded orbit
{but they were ugly}
you are a Fisherman’s son,
you know the precise pH levels, purification,
nutritional requirements of a goldfish tank
you
put them in
piss
and told the gifter, you gave me
dead fish.
thank God, your Father said,
Pain is foreign to fish.
Dear Fisherman,
You are nothing like us,
I know you can feel pain.
So when the santoku screeches
through your shoulder blades,
strips skin from flesh,
strips flesh from fat,
When the anglerfish and angelfish
rip slippery sinew from bone,
swallowing your scream with
soy sauce and avocado,
When the damselfish pull the metal rod
from your spinal cord,
and lick at the sweet marrow,
When the lamprey find your fisherman’s pride and mince it,
with circle-shaped mouths
of a thousand,
scissor-like teeth
I will look into your eyes
and I will not lie to myself.
Elena Goh is a writer and postgraduate student based in Singapore, currently pursuing a Masters in Creative Writing at the University of Cambridge. Her short fiction and poetry have been featured in Twin Flame Literary, Mosaic Art & Literary Journal, and The Writer's Block. Her film reviews have also been featured in the Singapore Film Society.